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Sometimes
it's not until we see something for the first time that we realize
how much we've missed it.
Starting way back in 1911 with A
Victim of the Mormons and reaching a new low point last year
with Orgazmo, the Mormon people (or Latter-day Saints, as
they prefer to be called) are often portrayed in the movies as dangerous
fanatics, hypocrites and/or simpletons.
As a people, they've repeatedly taken
a cinematic beating at the hands of non-Mormon filmmakers…and why
not? They're an easy target. They don't fight back. Until now.
With
God's Army, which hits movie theaters this March, a young
Mormon director finally enters the ring. But instead of throwing
a punch at well-deserving Hollywood, Richard Dutcher turns the other
cheek. He points his camera instead toward his own people and, for
the first time, shows us what flesh-and-blood Mormons are really
like.
He doesn't take us down the wide streets
of Salt Lake City. Instead he pushes us through the front door of
an apartment full of missionaries in present-day Los Angeles. There
of all places, he leads us on a journey deep into Mormonism.
The main character is young Brandon
Allen (MATTHEW BROWN) a newly-ordained missionary struggling with
a tragic history and with his own infant faith.
His companion is 29-year-old Marcus
Dalton, the oldest missionary in the L.A. Mission, played by Dutcher
himself.
Dalton is a harsh mentor, and life
as a missionary is not the sugar-coated experience that Allen (and
the audience) expects.
These days, when so many young directors
view independent filmmaking
a merely a springboard to big studio budgets and the cover of Premiere
magazine, it's refreshing to hear a truly independent voice, a voice
thick with the vocabulary of a peculiar people, revealing characters
that we've never before seen.
Richard Dutcher is not talking to
the studios. He's so engaged in a conversation with his own faith
that you get the feeling he truly doesn't care if all the non-Mormons
out there even like this movie.
For non-believers, watching God's
Army is like entering a foreign country and eavesdropping on
the natives' most private conversations.
For believers, seeing God's Army
is like getting the best toy for Christmas, a toy you didn't even
know existed.
Dutcher is not the first and only
cinematic voice of his culture. Yes, there are other Mormon filmmakers
out there, but they're all telling Hollywood stories. In true Mormon
fashion, Richard Dutcher has found an unwanted piece of the landscape
and claimed it as his own.
It's always a danger to talk up a
film. Moviegoers may expect too much. You won't see explosions or
car chases or gunfights. But unlike most multiplex fare that passes
through your mind without a snag, God's Army will stay with
you. It is a quiet and a powerful film. Don't be surprised if you
find yourself thinking about it days later.
In these jaded times, you may think
you've seen it all. You haven't. Admittedly, if you're not a Mormon,
you may or may not miss it. But if you are a Mormon, as 11 million
of you are, you'll wonder where this Dutcher guy has been for the
past 89 years, and when is he going to make his next movie?
These days, you seldom hear an audience
react at the end of a movie. On March 10, turn an ear toward Salt
Lake City and expect to hear the sound of applause.
Wade Major is a Los Angeles-based film critic. His reviews
and articles appear in BOX OFFICE Magazine and in ENTERTAINMENT
TODAY.
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